乐播传媒 in the News: Jan. 16, 2015

Frank Glazer, photographed at his home in Topsham, Maine, in 2006. (Phyllis Graber Jensen/乐播传媒 College)
Frank Glazer
The death of Frank Glazer, renowned pianist, 乐播传媒 artist in residence and lecturer in music, on Jan. 13 at age 99 prompted coverage from a number of media outlets, including the .
Reporter Bob Keyes spoke to Jim Parakilas, the Moody Family Professor of Performing Arts, who said:
鈥淗is physical presence changed over the years but his playing remained unbelievable. He was so fast and spectacular. What happened over the years 鈥 he didn鈥檛 have the strength and speed that he had when he was younger, but instead there was a kind of translucence to his playing where you could hear everything. The message of the music came out with a kind of simplicity that was unmistakable.鈥
Keyes also quoted one of Glazer’s students, Duncan Cumming ’93, now a concert pianist and assistant professor of music at the University at Albany:
鈥淗e played with the strength and virtuosity of a man half his age or a third his age, but with the experience of a man 99 years old…. He just got better and better and better, because he worked at it for so much longer than anyone in the history of the world.鈥
Deborah Hansen ’89
Deborah Hansen ’89 was quoted at the top of a story about sparkling wines. Reminiscent of the old spaghetti commercial, the story suggests that every day can be sparkling wine day.
“Wine professionals are happy to recommend sparkling wines for New Year鈥檚 Eve, but are even more thrilled when customers ask about these quaffs beyond Jan. 1,” writes correspondent Ellen Bhang.
Hansen, the chef-owner-sommelier of Taberna de Haro in Brookline, “thinks wine drinkers should follow the example of Catalan residents of northeastern Spain,” Bhang writes, who “enjoy the sparkler cava any time of day.”
Says Hansen, “It鈥檚 common to have a glass in the afternoon when friends come over.”
Hansen suggests a couple of cavas, including Reserva de la Familia, a “brut nature” from family-owned Juve y Camps, located in the region of Penedes, near Barcelona.
鈥淥nly 6 percent of cavas made are grower cavas,鈥 Hansen explains, noting that enthusiasts should look for these special pours because they offer 鈥渃haracter, verve, and pedigree,鈥 unlike the large commercial brands.
Graham Safford ’15

Graham Safford ’15 scored his 1,000th career point in 乐播传媒’ 60-55 victory over Brandeis University on Jan. 6 in Alumni Gym. (Phyllis Graber Jensen/乐播传媒 College)
鈥淗e is, no question, the most competitive kid that I鈥檝e ever coached, worked with, been around,鈥 乐播传媒 men’s basketball coach Jon Furbush ’05 tells the, which published a story about how point guard Graham Safford ’15 has worked through the death of his father, of cancer, four years ago on Christmas Day.
鈥淚 think it was a sign that, on Christmas Day, it eased all his pain and he was able to go to a better place,鈥 Safford tells BDN reporter Pete Warner, who writes that “having been confronted with the fragility of life, Safford committed himself to seizing the day.”
Safford, from Hampden, Maine, is one of four 乐播传媒 captains. He scored his 1,000th career point on Jan. 6 in the Bobcats’ victory over Brandeis at Alumni Gym.
鈥淓very time I play, I want to give everything I鈥檝e got out there. That pertains to all aspects of life.鈥
Bill Hiss ’66 and Valerie Wilson Franks ’98
An excerpt of Lani Guinier’s book The Tyranny of the Meritocracy: Democratizing Higher Education in America published in 聽includes mention of the 2014 report by Bill Hiss ’66 and Valerie Wilson Franks ’98 that found that standardized tests do not accurately predict college success. She quotes Hiss and Franks:
鈥淢any of us who have spent our careers as secondary and university faculty and administrators find compelling the argument that 鈥榳hat students do over four years in high school is more important than what they do on a Saturday morning.鈥欌
President Spencer
Late in 2014, Clayton Spencer was quoted by on the Obama plan to rank the nation’s 5,000-plus colleges and universities according to various metrics, including graduation and retention rates; the ability of their graduates to pay back their student loans; and the schools鈥 accessibility to low-income and first-generation students.
Reporter Douglas Belkin notes that “few in academia believe there is an equitable way to rate so many schools; they say whatever variables are selected will necessarily skew the ratings in that direction.”
Spencer says that “you just cannot compare [the broad variety of schools] coherently…. You need to compare them in a mission-specific way.鈥

Paper masks used in shaman rituals of the Yao people of Vietnam. From the Museum of Art exhibition “How to Make the Universe Right.”
乐播传媒 Museum of Art
The reviewed the exhibition of shaman scrolls and聽an extensive array of ceremonial objects developed and curated by the 乐播传媒 College Museum of Art and premiered here in 2014.
How to Make the Universe Right: The Art of the Shaman in Vietnam and Southern China is now at the University of California鈥揝anta Barbara’s Art, Design & Architecture Museum.
Research by Trian Nguyen, a 乐播传媒 assistant professor of art and the Luce Junior Professor of Asian Studies, forms the scholarly foundation for the show.
His research, says the Independent, affords a “fascinating glimpse of the intensity required” to keep alive for millennia the ritual shamanistic traditions.
乐播传媒 Museum of Art director Dan Mills curated the exhibition in conjunction with Nguyen and Barry Kitnick of Santa Barbara, from whose collection the show was assembled.

“Startrails,” a 2011 inkjet print by Yuichi Takasaka, is one of the astrophotographs in the exhibition “Starstruck.”
Meanwhile, another exhibition developed by the 乐播传媒 museum continues to collect stars on its crown.
罢丑别听Philadelphia Inquirer says that seeing Starstruck: The Fine Art of Astrophotography, now showing at the James A. Michener Art Museum in Doylestown, Pa., is among the top five things to do in the region.
of Trenton, N.J., quotes Anthony Shostak, the curator of education at 乐播传媒 museum who organized the show:
The images 鈥渁re nothing less than overwhelming鈥攄epicting humbling, glorious delights that are often invisible to both the naked eye and even the telescope, and are revealed only through photographic means.鈥




