乐播传媒

Not long ago, Stacey Kabat 鈥�85 was talking with a friend, a longtime reporter for The Boston Globe, about the infamous case of Jared Remy, the serial abuser in Massachusetts who ended up murdering his girlfriend in 2013.

They talked about how everyone around Remy 鈥� the courts, police and social systems 鈥� had failed to protect the victim.

Kabat and the reporter agreed: 鈥淚t felt like we were right back in the 1990s,鈥� she said, a time when activists like Kabat were lighting a fire under the problem of domestic violence and reporters covering their work were helping to put it on the national agenda.

Kabat related the anecdote during her visit to campus earlier this week, including a public talk on Sunday and visits to two classes on Monday taught by Assistant Professor of Rhetoric Jonathan Cavallero.

In Cavallero鈥檚 class on film theory, Kabat talked about how the early 1990s were heady times on the domestic violence front.

In 1992, she won a Reebok Human Rights Award for her efforts with abused women, including work to found the nonprofit Peace At Home.

In 1994, she was part of the team that won an Academy Award for the documentary film Defending Our Lives that exposed the severity of domestic violence in the U.S.

A year later, Kabat presented at the NGO forum during the United Nations World Conference on Women, held in Beijing.

Kabat, who was just in her early 30s, was already dubbed a 鈥渧eteran laborer in the vineyards of social justice,鈥� wrote the Los Angeles Times.

鈥淭hings were snowballing, steamrolling. We were moving and changing,鈥� Kabat said.

In Cavallero鈥檚 class, Kabat screened the 1998 documentary Strong at the Broken Places, for which she was a co-producer.

A follow-up to Defending Our Lives, the film tells the story of four people, Arn Chorn-Pond, Max Cleland, Marcia Gordon and Michael MacDonald. Each survived horrific violence in their lives and used their experiences to help other victims of violence and to create powerful new identities for themselves.

Cleland, who would become a U.S. senator from Georgia, lost two legs and an arm in Vietnam after a hand grenade exploded in his hand.

鈥淚 lay there shattered and dying,鈥� he says in the film. Heroic efforts 鈥� a team of five physicians, hours in surgery and 43 pints of blood 鈥� saved his life. 鈥淭hat, it turned out, was the easy part,鈥� he said. 鈥淵ou face a stark reality. You will never be the person you were, yet you don鈥檛 know who you will be. You don鈥檛 know you the hell you are.鈥�

The film has a more hopeful story arc than Defending Our Lives. With terrifying personal testimonies and graphic photographs of domestic violence by photojournalist Donna Ferrato, the film was 鈥渓ike a grenade,鈥� Kabat says, that blew open the topic of domestic violence.

鈥淚t was radical,鈥� Kabat says, to show Ferrato鈥檚 images. 鈥淚t was so different. No one had yet been able to expose visually this hidden family secret.鈥�

So what happened to shift the national gaze from domestic violence?

Bill Clinton, who signed the Violence Against Women Act in 1994 and talked about growing up in a violent home, lost credibility after Monica Lewinsky. Then, 9/11 and resulting wars forced America鈥檚 attention away from the domestic agenda.

When she was 18 and heading to 乐播传媒, 鈥渄omestic violence鈥� wasn’t a word, Kabat has said. She had been raised in a violent home but there was no way to talk about that in college.

In the 30 years since then then, “I鈥檝e gone from being ashamed and not be able to talk about it, to being able to talk about it and create programs of change and seeing people change and develop. It鈥檚 amazing.鈥�

Today, as Kabat sees example after example of America鈥檚 violent streak (such as the NFL鈥檚 clueless initial reaction to Ray Rice beating his wife), she is 鈥渁ppalled. It鈥檚 frustrating. We should be done with this already.鈥�

“But I thought [the Oscar] would help the violence to stop.”

She says that America, notwithstanding the current 鈥淚t鈥檚 On Us鈥� campaign and other efforts, has yet to 鈥渢ake hold of the issue and address it in a concrete, prioritized way.鈥�

And that鈥檚 the bittersweet legacy of winning an Oscar.

鈥淚t did bring clout to the issue and put a stamp on it that said, 鈥楾his is important,'” says Kabat, who soon after delivered the commencement address at Simmons College, won a number of awards and traveled the country speaking and showing Defending Our Lives for a couple years.

“But I thought [the Oscar] would help the violence to stop. That was the naive kid in me.鈥�

Today, Kabat is 51 and has two children, one in high school and the other 8 years old. And if she鈥檚 no longer laboring in the vineyard, she鈥檚 still in the field. Transitioning from running her nonprofit, Peace At Home, she is now a maternal/child health nurse and a lactation consultant at Mass General.

鈥淎fter 9/11, it was so hard to receive aid for what we were doing,鈥� Kabat says. 鈥淚 couldn鈥檛 be fundraising, working, speaking, counseling. It was too much. You can only do 20 years of that. My husband said, 鈥淪tace, the Beatles only had 10 good years.鈥� So I feel OK!鈥�

She鈥檚 no longer that naive kid but Kabat still has fire in her belly. 鈥淚鈥檓 not a cynical adult because I know change can occur,鈥� she says.

It comes from 鈥測our actions with people you meet every day. How you interact with your peers, how you interact in your community, how you choose what you want to speak out on, how you vote and how you get involved.鈥�

The best example is right in front of you, she said.

鈥溊植ゴ�媒 was founded by abolitionists. And there鈥檚 a reason for that. They wanted us to think about being part of social change.鈥�