Museum of Art organizes exhibitions of textile installations and works on paper

“24 Hours, No. 2,” a 2005 installation by Fransje Killaars, will be shown at Museum L-A in Lewiston. Courtesy of Galerie Expeditie, Amsterdam, the Netherlands.

A Maine artist examining humanity’s foibles, a German printmaker of the late 19th century and a contemporary Dutch textile installation artist known for her color sense are represented in winter 2013 exhibitions at the ÀÖ²¥´«Ã½ College Museum of Art.

Opening with a lecture and reception at 6 p.m. Friday, Jan. 18, is the exhibition Robert S. Neuman’s “Ship to Paradise,” consisting of depictions by a Mount Desert Island artist of humankind’s vices and worldly conceits. Discussing Neuman’s work is Maine author and art critic Carl Little.

“Ship to Paradise — The Wreck” is a 1985 image in mixed media on paper from Robert Neuman’s “Ship to Paradise” series.

Also opening that evening is the Intermezzi Portfolio, Opus IV, a series of prints by Max Klinger, a German artist active in the late 19th and early 20th centuries.

A reception at 5 p.m. Saturday, Jan. 26, opens Fransje Killaars: Color at the Center. An artist who approaches textiles in provocative ways that are as much cultural as conceptual statements, Killaars will exhibit several installations at the ÀÖ²¥´«Ã½ museum and several at Museum L-A, in the former textile mill on Canal Street in Lewiston where ÀÖ²¥´«Ã½-brand bedspreads were woven.

The reception takes place in both locations, with a shuttle connecting them.

Learn more about the winter 2013 exhibitions at the ÀÖ²¥´«Ã½ College Museum of Art:

All three exhibitions run through March 22. The museum is located at 75 Russell St. and is open to the public at no cost from 10 a.m. to 5 p.m. Monday through Saturday, and till 7 p.m. Wednesdays during the academic year.

For more information, please call 207-786-6158 or visit bates.edu/museum.

“Intermezzi Portfolio,” Opus IV, 1881, by Max Klinger. Plate XII, “Amor, God und Jenseits.”