Family arts festival, exhibit on tap as ÀÖ²¥´«Ã½ celebrates Olin's 25th
The vibrant arts community at ÀÖ²¥´«Ã½ takes the spotlight as the college celebrates the 25th anniversary of its Olin Arts Center in 2011-12.
The celebration kicks off Oct. 6-14 with a family arts festival, a residency by New York City’s and an showcasing the ÀÖ²¥´«Ã½ College Museum of Art‘s collection.
Open to the public at no charge, the begins at 10 a.m. Saturday, Oct. 8, at the arts center, 75 Russell St. Activities include face painting and balloon animals. ÀÖ²¥´«Ã½ students will present visual art, music and dance. A barbecue lunch will be offered (free to the first 100 arrivals).
Among performers are the high-intensity New Vaudeville act and the avant-garde marching band Asphalt Orchestra, which will lead tours of the building and perform in concert. The art museum will be open.
Asphalt performs in the Olin Concert Hall at 2 p.m. Admission is free, but tickets are required. For more information, to RSVP for the barbecue or to reserve concert tickets, please contact 207-786-6135 or olinarts@bates.edu. Asphalt’s residency has been made possible by a grant from the New England Foundation for the Arts and through partnerships with L/A Arts and Portland Ovations.
The exhibition opens Friday, Oct. 14, and runs through Dec. 17. Paul Cezanne, Mary Cassatt, Charlie Hewitt and Robert Indiana are among the many artists featured.
.
.
Olin Arts Center
Built with support from the F.W. Olin Foundation and opened in 1986, the Olin Arts Center houses the departments of music and of visual art and culture. Overlooking scenic Lake Andrews, the building contains classrooms; studios and other facilities for visual and musical artists; the Museum of Art; and the 300-seat Olin Arts Center Concert Hall.
“In the 1980s, music and art majors were very recent additions to the ÀÖ²¥´«Ã½ curriculum,” says Jim Parakilas, chairman of the college’s Arts Collaborative and the James L. Moody Jr. Family Professor of Performing Arts.
“As latecomers, we found ourselves headquartered in remote corners of the campus — more or less out of sight, which is hard for artists to bear, and out of earshot, hard for musicians to bear. The Olin Arts Center provided not just wonderful facilities to work in, but also the most beautiful way for us to show everyone that the musical and visual arts meant business at ÀÖ²¥´«Ã½.”
