  {"id":40435,"date":"2011-02-14T09:45:49","date_gmt":"2011-02-14T14:45:49","guid":{"rendered":"http:\/\/home.bates.edu\/?p=40435"},"modified":"2016-02-01T11:45:40","modified_gmt":"2016-02-01T16:45:40","slug":"matthews-book-hours","status":"publish","type":"post","link":"https:\/\/www.bates.edu\/news\/2011\/02\/14\/matthews-book-hours\/","title":{"rendered":"Friendship between ÀÖ²¥´«Ã½ composer, former student shines through on CD"},"content":{"rendered":"<p><a href="https:\/\/www.bates.edu\/news\/files\/2011\/02\/110211_matthews_0007-web.jpg"><img loading=\"lazy\" decoding=\"async\" width=\"215\" height=\"300\" src=\"https:\/\/www.bates.edu\/news\/files\/2011\/02\/110211_matthews_0007-web-215x300.jpg\" class=\"attachment-medium alignright\" alt=\"William Matthews\" \/><\/a><\/p>\n<p>A new CD on the Albany Records label is the latest result of a 20-year friendship between William Matthews, a composer on the ÀÖ²¥´«Ã½ College music faculty, and his former student, pianist Duncan Cumming.<\/p>\n<p>Released in January, <em>A Book of Hours<\/em> comprises four pieces composed by Matthews over a span of more than 20 years. In its CD debut as an ensemble, the Capital Trio, a chamber group featuring Cumming, plays on two of them. A third is performed by Cumming and violinist Hilary Cumming, his wife and Capital Trio bandmate. (Rounding out the trio is cellist S\u00f6len Dikener.)<!--more--><\/p>\n<p>Matthews, who has taught at ÀÖ²¥´«Ã½ since 1978, is known for his stylistic versatility, his dedication to making music for the community and his leadership in equipping the college for electronic music-making &#8212; an interest still prominent in his work. A flutist and conductor as well as composer, his compositions include solo instrumental, vocal, chamber, orchestral, choral and theatrical music.<\/p>\n<p>The Alice Swanson Esty Professor of Music at ÀÖ²¥´«Ã½ and chair of the music department, Matthews has written music for ÀÖ²¥´«Ã½ Modern Dance Company performances and an orchestral ode for the 2002 inauguration of ÀÖ²¥´«Ã½ president Elaine Tuttle Hansen.<\/p>\n<p>&#8220;I&#8217;d like to think I&#8217;m one of the champions of his music,&#8221; says Cumming. A Maine native, Cumming graduated from ÀÖ²¥´«Ã½ with highest honors in 1993 and is now a concert musician and assistant professor of music at the University of Albany, State University of New York.<\/p>\n<p><a href="https:\/\/www.bates.edu\/news\/files\/2011\/02\/capital-trioweb.jpg"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"300\" src=\"https:\/\/www.bates.edu\/news\/files\/2011\/02\/capital-trioweb-400x300.jpg\" class=\"attachment-medium alignright\" alt=\"Capital Trio\" \/><\/a><\/p>\n<p>&#8220;I&#8217;ve played his music from Los Angeles to Aberdeen, Scotland,&#8221; says Cumming. The Capital Trio will perform two works from the CD in the Northeast and in Europe during the coming weeks.<\/p>\n<p>One of them, which Cumming names as his favorite Matthews work, is the composition that gives the CD its title. Written in the mid-1990s, &#8220;A Book of Hours&#8221; is a secular interpretation of the religious practice of holding a daily cycle of worship services. In six movements, &#8220;Hours&#8221; draws on inspirations as diverse as a catbird&#8217;s song, the jolt of caffeine, a tranquil twilight and the music of French-Canadian fiddlers and jazzman Thelonious Monk.<\/p>\n<p>In fact, the piece occasioned the production of the CD. &#8220;We recorded it a few years back,&#8221; Cumming says, &#8220;and on the advice of a colleague I sent it to Albany Records. They wanted to bring it out,&#8221; which led Matthews to assemble the rest of the music for the disc.<\/p>\n<p>The Duo for Violin and Piano is also in the trio&#8217;s upcoming performances. Matthews composed the piece in 2000 as a wedding gift for the Cummings, thinking it would be fun to play when they had time alone together. Instead, &#8220;it&#8217;s a hit for them,&#8221; says Matthews.<\/p>\n<p>Ranging across the genres from parlor music to Copland to tango, the Duo is a warm, colorful piece that clearly conveys the closeness of happy domesticity.<\/p>\n<p>The CD&#8217;s other Capital Trio track honors the late music theorist and composer Jonathan Kramer, with whom Matthews studied as an undergraduate at Oberlin, as a grad student at Yale and during a summer seminar at Columbia. Completed in 2010, &#8220;For Jonathan Kramer&#8221; reflects Kramer&#8217;s thoughts about counterpoint and musical time.<\/p>\n<p>The track also brings to the fore Matthews&#8217; involvement with high-tech music-making, as it weaves together three strands: prerecorded sounds, the trio&#8217;s acoustic performance and Matthews&#8217; real-time electronic manipulation of that acoustic music. &#8220;What they play is processed or echoed or pitch-shifted, and made mysterious. Every performance will be different,&#8221; he says.<\/p>\n<hr \/>\n<h3><em>Hear excerpts from <\/em>A Book of Hours:<\/h3>\n<p><a href=\"http:\/\/en.audiofarm.org\/audiofiles\/14120\">&#8220;Evensong&#8221; from &#8220;A Book of Hours,&#8221; performed by the Capital Trio<\/a><\/p>\n<p><a href=\"http:\/\/en.audiofarm.org\/audiofiles\/14121\">&#8220;For Jonathan Kramer,&#8221; performed by the Capital Trio and composer William Matthews<\/a><\/p>\n<p><a href=\"http:\/\/en.audiofarm.org\/audiofiles\/14119\">Duo for Piano and Violin, performed by Duncan Cumming and Hilary Cumming<\/a><\/p>\n<h3><strong><a href=\"http:\/\/www.timesunion.com\/entertainment\/article\/A-winning-trio-1011266.php\"><em>Read a review<\/em><\/a><\/strong><\/h3>\n<hr \/>\n<p>&#8220;Island&#8221; is the CD&#8217;s one track sans Capital Trio players. Like &#8220;A Book of Hours,&#8221; its framework is the passage of time, but this time the raw material comes directly from the world: soundscapes that Matthews recorded during a family vacation in Islesboro, and then edited and processed electronically. Birds, waves hissing across sand, children&#8217;s voices and a passing lobster boat are collaged into an atmospheric portrait of a day in a life.<\/p>\n<p>&#8220;I&#8217;m very open to environmental influences,&#8221; says the composer. &#8220;I started college in the &#8217;60s and I&#8217;m very much a student of John Cage\u2019s ideas about getting the sounds of the world into the concert hall, and getting the sounds of the concert hall out into the world.&#8221;<\/p>\n<p>For Matthews, in fact, creating music is a form of engagement with what&#8217;s around him &#8212; the environment and the people. He calls himself a &#8220;small-town composer.&#8221;<\/p>\n<p>&#8220;I&#8217;m interested in making music for particular situations, local situations, and music that would be accessible by the participants in the audience.&#8221;<\/p>\n<p>For much contemporary music, he adds, &#8220;There is really no audience for it. It&#8217;s far outside the experience of most people. And I guess I&#8217;ve been more interested in bonding with local audiences than writing pieces on spec for professional performances out of state.&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A new CD on the Albany Records label is the latest result of a 20-year friendship between William Matthews, a composer on the ÀÖ²¥´«Ã½ College music faculty, and his former student, pianist Duncan Cumming &#8217;93, a Maine native. Released in January, <em>A Book of Hours<\/em> comprises music composed by Matthews over a span of more than 20 years, including three works featuring Cumming and his Capital Trio.<\/p>\n","protected":false},"author":105,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_hide_ai_chatbot":false,"_ai_chatbot_style":"","associated_faculty":[],"_Page_Specific_Css":"","_bates_restrict_mod":false,"bates_author_byline_override":"","_estimated-read-time":"","_post-template":"","_header-color":"","_photo-credit":"","_header-effect":"","override_related_with_tag":"","_table_of_contents_display":false,"_table_of_contents_location":"","_table_of_contents_disableSticky":false,"_is_featured":false,"footnotes":"","_bates_seo_meta_description":"","_bates_seo_block_robots":false,"_bates_seo_sharing_image_id":0,"_bates_seo_sharing_image_twitter_id":0,"_bates_seo_share_title":"","_bates_seo_canonical_overwrite":"","_bates_seo_twitter_template":""},"categories":[11010,133,14],"tags":[11002,6135],"class_list":["post-40435","post","type-post","status-publish","format-standard","hentry","category-arts","category-creativity","category-faculty-staff","tag-audio","tag-music-tag"],"_links":{"self":[{"href":"https:\/\/www.bates.edu\/news\/wp-json\/wp\/v2\/posts\/40435","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bates.edu\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bates.edu\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/news\/wp-json\/wp\/v2\/users\/105"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bates.edu\/news\/wp-json\/wp\/v2\/comments?post=40435"}],"version-history":[{"count":3,"href":"https:\/\/www.bates.edu\/news\/wp-json\/wp\/v2\/posts\/40435\/revisions"}],"predecessor-version":[{"id":86995,"href":"https:\/\/www.bates.edu\/news\/wp-json\/wp\/v2\/posts\/40435\/revisions\/86995"}],"wp:attachment":[{"href":"https:\/\/www.bates.edu\/news\/wp-json\/wp\/v2\/media?parent=40435"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bates.edu\/news\/wp-json\/wp\/v2\/categories?post=40435"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bates.edu\/news\/wp-json\/wp\/v2\/tags?post=40435"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}