{"id":3054,"date":"2009-03-01T12:13:07","date_gmt":"2009-03-01T16:13:07","guid":{"rendered":"http:\/\/batesviews.net\/?p=3054"},"modified":"2018-06-04T09:30:50","modified_gmt":"2018-06-04T13:30:50","slug":"they-came-they-bought","status":"publish","type":"post","link":"https:\/\/www.bates.edu\/news\/2009\/03\/01\/they-came-they-bought\/","title":{"rendered":"They Came, They Bought"},"content":{"rendered":"

\"Joshua<\/a><\/p>\n

It’s Dec. 16, and they’re coming. Scores of visitors stream into the Manhattan headquarters of Christie’s, the purveyor of highbrow art and culture, for the two-day sale Icons of Glamour and Style: The Constantiner Collection.<\/em><\/p>\n

The 320 photographs on the block represent the “most important collection of fashion photography that we know of,” says Joshua Holdeman ’93, international director of 20th-century art at Christie’s.<\/p>\n

Despite the collection’s significance, Holdeman and his Christie’s team at 20 Rockefeller Center are concerned about the sale. The economy is imploding, and buyers are skittish. (Later in the winter, Christie’s and rival Sotheby’s would both announce layoffs.) Will these fashion and celebrity images, made by photographic legends such as Helmut Newton, Richard Avedon, and Irving Penn, actually sell?<\/p>\n

At least today, not to worry. During an electric first night, Newton’s life-size, four-panel gelatin silver print of Vogue runway models, Sie Kommen, Paris (Naked and Dressed), fetches $662,500. The final sale total is $7,721,875.<\/p>\n

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