Asphalt Orchestra performs on the Olin Arts Center terrace on Oct. 8. Photograph by Jose Leiva.

On an October day that could have passed for August, ÀÖ²¥´«Ã½ marked the 25th anniversary of its Olin Arts Center with a family arts festival.

And while the attractions included a marching band, popcorn, balloon animals and juggling, the festivity was much more than just another day at the circus.

.

The headliners, avant-garde marching band Asphalt Orchestra and the New Vaudeville act Two, managed both to honor the long traditions they represent and to show them in a new light. Maine natives Matt and Jason Tardy, aka Two, delivered their juggling and acrobatics with astounding skill, but also with edgy humor about show-biz conventions and performers’ egos.

“They convey the fact that there’s more behind it” than just the mechanics of their art and of creating a spectacle, said concert hall manager Seth Warner, who organized the Olin celebration.

Meanwhile, Asphalt Orchestra took the exhilarating energy of a half-time show and shifted it into a whole other realm.

Jason and Matt Tardy, aka Two, are joined by a young guest artist during an Olin Arts Center anniversary performance. Photo: Jose Leiva.

The band skipped Sousa and Top 40 in favor of world music and tunes by Björk and Frank Zappa. The arrangements left plenty of room for soaring jazz solos. And, eschewing uniforms for a blue-gray-black pastiche of denim and vintage garb, the 12-piece Asphalt showed in ways other than its name the awareness that a marching band’s home is the street.

In short sets on the Olin terrace, the band whirled and marched right into the crowd of students, kids and parents, many of whom played along on drums that Warner had set out.

Asphalt’s dance party tendency gained a new dimension as students from Rachel Boggia’s dance improvisation course performed during one set. Exploiting the grass and stone steps of the Keigwin Amphitheater, the dancers flowed and pivoted up and down, periodically flinging themselves at the feet of the musicians, who in turn brought their own choreography to the encounter.

This burst of energy on the banks of Lake Andrews was a high point of the day. And it was even more improvised than anyone had expected, Boggia said later. The dancers had planned to perform indoors, in the ÀÖ²¥´«Ã½ Museum of Art, but “it seemed like everything was happening outside” — so they quickly revised their plans to work with Asphalt on the amphitheater.

“It was a great opportunity for them to realize that not everything goes by the rules.” After the dance, Boggia adds, Asphalt drummer Nick Jenkins shared nice thoughts about the occasion: “It seems like you have a really vital arts community here at ÀÖ²¥´«Ã½.”

Students in a dance improvisation course perform with Asphalt Orchestra. Photo: Jose Leiva.

The Tardys, of Buckfield, combined juggling, acrobatics, contortion — Matt threading himself through the ruptured mesh of a tennis racket, for instance — all set to thumping techno-pop tracks created by Matt. “This is so — dangerous!” Jason said as his brother began to juggle three knives. “Notice how Matt catches them by the handle part, not the shiny metal part.”

One of several bits in their show, the knife routine consisted of one Tardy juggling the blades while the other commented. Periodically they would trade roles — a brother tossing the knives to the other and getting the microphone in return, all juggling, all the time. The absence of lacerations was impressive, as was a mock mic mixup in which Matt, juggling the mic and two knives, managed to time his remarks to Jason just as the mic flew past his mouth.

Inside the arts center, families mingled with ÀÖ²¥´«Ã½ students and faculty in the lobby amidst the buttery smell of popcorn. People of all ages sported the wearable balloon art made by Margaret Foster, of Portland, and face-painting and paper airplane-making were also on offer.

With the a cappella Merimanders contributing a well-received performance, the open, and more music on tap from a jazz trio led by pianist Ahmad Hussan Muhammad, Warner’s intent was to offer arts for all tastes. In particular, he said, “I wanted to open it up to all ages.”

The day ended with Asphalt. Inside Olin, their performance was formally excellent, all pristine playing and solemn choreography. A high point, delivered as the musicians formed a long straight line across stage front, was Björk’s elegiac “Hyper-Ballad.”

But the proceedings seemed stiff, and after a few numbers alto sax player Ken Thomson announced the return to the terrace for the remainder of the set. The band led us out for a few more songs — and wound up a sparkling day at ÀÖ²¥´«Ã½ with a hopping Balkan polka, Goran Bregovic’s “Champagne.”

Jee Hye Kim ’12 and Kimberly Liaw ’12 sport colorful headgear during the Olin Arts Center anniversary party. Photo: Jose Leiva.

A family arts festival starting at 10 a.m. Saturday, Oct. 8 kicks off the 2011-12 celebration of the Olin Arts Center’s 25th anniversary.

Open to the public at no charge, the festival features the high-intensity New Vaudeville ensemble , jazz pianist Ahmad Hussan Muhammad and New York’s avant-garde marching band , which will lead tours of the building and perform in concert. The ÀÖ²¥´«Ã½ College Museum of Art will be open.

Activities include face painting and balloon animals. ÀÖ²¥´«Ã½ students will present visual art, music and dance. A barbecue lunch will be offered (free to the first 100 arrivals).

Asphalt performs in the Olin Concert Hall at 2 p.m. Admission is free, but tickets are required. For more information, to RSVP for the barbecue or to reserve concert tickets, please contact 207-786-6135 or olinarts@bates.edu.

Created in 2009 by the founders of the dynamic new-music organization Bang on a Can, Asphalt takes innovative music out of concert halls, rock clubs and jazz basements and into the streets.

The New York Times called Asphalt “part parade spectacle, part halftime show, and part cutting-edge contemporary music concert.” The group has all the components of a traditional marching band, but the sound and spectacle are anything but traditional.

With movement directed by acclaimed choreographers and apparel by designer Elizabeth Hope Clancy, Asphalt comprises players from genres as diverse as modern indie-classical, Eastern European band music and contemporary jazz.

At ÀÖ²¥´«Ã½, Asphalt presents its new stage show, Unpack the Elephant! The program features music by Frank Zappa, David Byrne and Annie Clark, Yoko Ono and Björk, as well as members of the ensemble.

Asphalt’s residency will include a “flash concert” at ÀÖ²¥´«Ã½ on Oct. 6; presentations at the Falmouth school campus, and, through a partnership with L/A Arts, at the Lewiston and Auburn middle schools; and a First Friday Art Walk appearance in Portland on Oct. 7, presented in partnership with Portland Ovations.

Maine brothers Matthew Tardy and Jason Tardy, aka Two, perform at 11 a.m. and 1 p.m. Oct. 8. The Tardys offer relentless wit, live music, high-tech juggling, fire eating and feats of contortion.

A native of Cincinnati, Muhammad is a Bowdoin College graduate who has studied with Fred Hersch, Tony Malaby and Andy Milne. He is also a freestyle rapper.

The vibrant arts community at ÀÖ²¥´«Ã½ takes the spotlight as the college celebrates the 25th anniversary of its Olin Arts Center in 2011-12.

The celebration kicks off Oct. 6-14 with a family arts festival, a residency by New York City’s and an showcasing the ÀÖ²¥´«Ã½ College Museum of Art‘s collection.

Open to the public at no charge, the begins at 10 a.m. Saturday, Oct. 8, at the arts center, 75 Russell St. Activities include face painting and balloon animals. ÀÖ²¥´«Ã½ students will present visual art, music and dance. A barbecue lunch will be offered (free to the first 100 arrivals).

Among performers are the high-intensity New Vaudeville act and the avant-garde marching band Asphalt Orchestra, which will lead tours of the building and perform in concert. The art museum will be open.

Asphalt performs in the Olin Concert Hall at 2 p.m. Admission is free, but tickets are required. For more information, to RSVP for the barbecue or to reserve concert tickets, please contact 207-786-6135 or olinarts@bates.edu. Asphalt’s residency has been made possible by a grant from the New England Foundation for the Arts and through partnerships with L/A Arts and Portland Ovations.

The exhibition opens Friday, Oct. 14, and runs through Dec. 17. Paul Cezanne, Mary Cassatt, Charlie Hewitt and Robert Indiana are among the many artists featured.

.

.

Olin Arts Center

Built with support from the F.W. Olin Foundation and opened in 1986, the Olin Arts Center houses the departments of music and of visual art and culture. Overlooking scenic Lake Andrews, the building contains classrooms; studios and other facilities for visual and musical artists; the Museum of Art; and the 300-seat Olin Arts Center Concert Hall.

“In the 1980s, music and art majors were very recent additions to the ÀÖ²¥´«Ã½ curriculum,” says Jim Parakilas, chairman of the college’s Arts Collaborative and the James L. Moody Jr. Family Professor of Performing Arts.

“As latecomers, we found ourselves headquartered in remote corners of the campus — more or less out of sight, which is hard for artists to bear, and out of earshot, hard for musicians to bear. The Olin Arts Center provided not just wonderful facilities to work in, but also the most beautiful way for us to show everyone that the musical and visual arts meant business at ÀÖ²¥´«Ã½.”