It’s a mid-November night at the Ronj, the student-run cafe in Ross House on Frye Street, and in one part of the homey space, students are draped across couches and splayed out in chairs, sipping tea, munching on snacks, while they study, relax, and just hang out.

In another part of the house, in a performance space known as the Thunderdome, the furniture has been shoved to the perimeter, creating an open area for an evening of visual art.

At the ready are watercolor paint kits, cups of water, and lots of paint brushes, and the students, around 20 of them, quickly get going. Over here, a student paints a tree in late autumn. Over there, another creates a fantasy garden, and another makes a rainbow, all conjured from the mind’s eye or pulled from a smartphone. 

There’s no instruction and no still-life subject to sketch, just one goal: Create a piece of art for someone you care about. The students are making watercolor postcards, which, when finished, will be mailed to a loved one along with hand-written words of gratitude from the sender.

The idea for the event came from Phoebe Stern ’24, a religious studies major from Nashville, Tenn. As the student arts and spirituality coordinator for the Multifaith Chaplaincy, she wanted to create a time and a space before Thanksgiving for students to “take a deep breath and ask, ‘Who are the people in my life who have really impacted me? And who made a change? How can I give back to them?’�

In this case, giving back means giving a bit of one’s self, “something tangible,â€� Stern says, “whatever art you’re feeling, and that can be just drawing a very abstract piece or like drawing some trees or mountains, but whatever you want.â€�

First-year students Audrey Esteves ’26 of Cranford, N.J., and Riley Baker ’26 of Northfield, Ill., are creating postcards to send to friends from high school as a little “helloâ€� before they reunite during the holiday break. Before long, the two will head across the street to WRBC, the ÀÖ²¥´«Ã½ student radio studio, where Baker co-hosts a music-and-chat show, Gin and Toxic.

Maddy Ewell ’24, a neuroscience major from Ridgewood, N.J., is using the time to stretch one creative muscle and give another a break. For her English class, “Early Modern Sex and Sexuality,â€� taught by Assistant Professor of English Katie Adkison, she’s composing a musical score as her final paper. 

The class has read Shakespeares’s As You Like It, whose opening scene, in the forest of Arden, presents a “mystical land of make believe, a fantastical environment.â€� For the final assignment, Ewell challenged herself to express the scene through classical music — a genre she hasn’t composed for before, though she loves composing and playing jazz. 

And she has the chops for it. An accomplished violinist, Ewell is the founder and president of the . Creating the score has been “difficult but fun,â€� she says. “I’m exploring what I can do with music.â€� (Last spring, she and fellow club member Riley Gramley ’25 performed classical music for the canine residents of the local animal shelter.)

For Stern, the event organizer, experiencing the Ronj for the first time fit perfectly with the vibe she hoped to create, a getaway from “the stresses of the rest of campus, like we’re just coming together and making some art, eating some cookies, drinking some chai and talking and laughing.

“That’s what the space is.�

Colette Girardin ’16, at right, orders a chai latte from co-manager Max Pendergast ’15 at le Ronj on Sept. 18, the first day of breakfast hours for the coffeehouse. (Sarah Crosby/ÀÖ²¥´«Ã½ College)

The Ronj Coffeehouse is back and open for business. This year, the student-run gathering spot is offering expanded hours, new menu selections and reinvented spaces for student activities.

Located in Ross House, 32 Frye St., The Ronj, aka “Le Ronj,â€� sells drinks and snacks in a cozy study environment. The coffeehouse acts in some ways as a microcosm of ÀÖ²¥´«Ã½, providing a place for both studying and socializing and bringing in students from every part of the college community.

“We have all sections of ÀÖ²¥´«Ã½ come together, and we’re all friends,â€� explains Johan Mohtarudin ’16, a Ronj manager. “It’s a space for anyone and everyone.â€�

Ronj co-managers Ali Hakusui ’15, left, and Johan Mohtarudin ’16 enjoy coffee and conversation. (Sarah Crosby/ÀÖ²¥´«Ã½ College)

The staff hopes that new services offered this year will make The Ronj even more popular. This year, the coffeehouse has added weekday morning hours, providing a convenient breakfast option for Frye Street residents on their way to class. It’s now open from 7 until 10 a.m. Monday through Friday and offers a brand-new parfait bar in addition to breakfast pastries and drinks.

Upstairs will be a reimagined space that The Ronj managers call “The Loft.� The former pool room will soon be a multipurpose activity room that could feature live music or events hosted by student organizations. The managers envision the room as a fluid, adaptable space that could, perhaps, become a pop-up restaurant one month and a giant chessboard the next.

The Ronj also has a new website where customers can check hours of operation, daily specials and employee bios. Ronj baristas choose music to play over the house system, and the new website will let them share their custom playlists.

Many ÀÖ²¥´«Ã½ students use The Ronj as a place to study. Colette Girardin ’16, who goes to the coffeehouse “at least three times a week,â€� prefers it to the library due to its “low-keyâ€� environment.

Singha Hon ’14 did much of the decorative painting inside the Ronj. (Sarah Crosby/ÀÖ²¥´«Ã½ College)

“It’s definitely a place where you don’t have to be stressed about anything,� she explains. “You can just be there and live in the moment that they give you.�

This year, The Ronj is managed by Mohtarudin, Max Pendergast ’15 and Ali Hakusui ’15. The Ronj has been student-run since it opened, in 1997, and each year a new group of student managers gets the chance to bring in new ideas. This year, Ronj staff includes 26 baristas, described by Mohtarudin as “just a group of students who like to talk.�

Each manager has a different reason to value The Ronj. For Hakusui, it’s the sense of community that exists among employees and customers. Pendergast points out that The Ronj proves that a student-run establishment can function on its own. And Mohtarudin likes the “look of satisfaction� that pops up on a customer’s face when baristas make a special drink or go the extra mile.

As the college evolves in the coming years, the current managers hope that The Ronj will continue to be recognized as a reflection of ÀÖ²¥´«Ã½ at its best. They point to the diverse interests of their barista staff as an example of the way that ÀÖ²¥´«Ã½ students from all walks of life can come together.

Customer loyalty cards on l’orange Ronj wall. (Sarah Crosby/ÀÖ²¥´«Ã½ College)

They also describe their weekly specials as demonstrative of the way ÀÖ²¥´«Ã½ thinks. For example, on “Wild Cardâ€� night at The Ronj, customers can get a custom drink of their barista’s choosing for just one dollar. “It’s very much a creative cultural exchange through food and drink,â€� says Hakusui.

The Ronj is “an atmosphere that feels like home,� Hakusui adds. “Instead of just having your dorm room and maybe your common room, you now have an entire house, filled with people, that’s lively and talkative and just feels like home.�

Marc Bamuthi Joseph engages with his audience in the aisles of the Olin Arts Center Concert Hall. (Photographs by Phyllis Graber Jensen)

For a performance Jan. 13, performer, educator, activist and slam poetry champion Marc Bamuthi Joseph took the Olin Concert Hall stage—only to leave it again.

“This place is really fancy,” said Joseph, jumping off the stage into the audience. “I believe in ‘not fancy.’ ”

Joseph offered a staged (or off-staged) reading of his acclaimed performance piece red, black & GREEN: a blues in the evening event, part of Martin Luther King Jr. Day observances at ÀÖ²¥´«Ã½.

The piece is usually performed on a circular stage, with large “houses” on wheels representing different American cities. His ÀÖ²¥´«Ã½ reading performance included two of the four acts, Chicago and Oakland. (The ÀÖ²¥´«Ã½ Dance Festival presents the .)

Joseph called upon the ÀÖ²¥´«Ã½ audience to fulfill the roles usually performed by the other artists working on the project. For one poem, the audience was split into four sections, each with a verse of “I’ve Got Peace like a River.” Without breaking cadence, Joseph would conduct the audience in singing while he moved around the room telling the story of a woman who emigrated to the U.S. from Sudan to escape the violence there, only to have her son murdered in Chicago.

Along with the excerpts from rbGb, Joseph offered original poems from previous projects. In tribute to King Day, he began with a piece dedicated to the civil rights leader. Using quotes from some of King’s greatest speeches, Joseph asked how far America has come in realizing King’s “dream.â€�

When an audience member asked Joseph how he came to be a performer, he answered with a rap from the album that, he says, changed his life, It Takes a Nation of Millions to Hold Us Back by Public Enemy. “Chuck D gave me a whole new vocabulary for liberation,� said Joseph.

But his last piece of the evening, a story from his time in Senegal, also shed some light on his emergence as a performer. After realizing his vulnerability to street hustlers and theft, Joseph encounters an American woman who is fighting the traditional practice of genital mutilation.

While visiting one village, that friend asks him to distract an impromptu village dance party while she negotiates an end to genital mutilation with the village elders. As a poet, Joseph is unsure how to “distractâ€� a crowd of dancing locals. On a whim, he breaks into the hip hop dances he learned growing up in New York City–and the village is won over, as was the ÀÖ²¥´«Ã½ audience by his re-enactment.

Joseph performs on the Olin stage.

Joseph worked his magic in a more intimate setting the evening prior to the Olin performance. While plows cleared the streets after the winter semester’s first snowstorm, ÀÖ²¥´«Ã½ students congregated in the student-run coffee house, the Ronj, to enjoy an evening of hot chai, music and poetry from Joseph and student performers.

Sponsored by the Arts House, the evening was a successful turnout of student talent.

It was one of several opportunities for students to interact with Joseph, who also visited anthropology, dance, environmental studies and rhetoric classes during his four-day visit.

Standing in the middle of the room rather than onstage, Joseph performed two energetic spoken-word pieces that combined dance with storytelling and role-playing to captivate the room.

Humorous but introspective, Joseph’s pieces tackle questions about identity: What does it mean to be a father? What does it mean to be “hip hop” outside of America? Joseph danced, contorting his body to show pain, pleasure and confusion, his arms and legs swinging out over the heads of students sitting on the floor around him.

Eleven students representing all class years read original poems. Although some seemed nervous, the room was supportive and everyone got a hand. Many students admitted it was their first time reading in front of their peers.

“All of the student readers and performers were incredibly talented,” said Emma Timbers ’14, a creative writing major who co-organized the event with fellow Art House representative Doug Welsh ’14. “And it was exciting to see so many freshmen sharing their work.”

For some, reading has been an important aspect of their time at ÀÖ²¥´«Ã½. Seniors Charlotte Simpson and Alana Folsom, both members of the ÀÖ²¥´«Ã½ Authors Guild, read from their creative writing theses. About half of the readers performed original slam poems and invited the audience to join their new slam group.

As for student musicians, Sawyer Lawson ’12 kicked off the evening with a bluesy acoustic guitar set. Also performing were Grace Glasson ’14, who performed folksy covers and originals on ukulele, and Hansen Johnson ’13, who performed covers and originals on acoustic guitar.

— by Erica Long ’12

From Naima: As the semester ends, it seems appropriate to give you all a quick little recap. This has been a busy couple of months; I guess taking five classes, working three jobs, and wanting to soak up every ÀÖ²¥´«Ã½ moment before going abroad might have been a bit much. I went on more sunrise paddles, sang in , frequented football games, and attended some wonderful dance parties.

I also went to class. I read Aristotle, explored intoxication, examined the human body, recounted black histories, and recorded literary methods. But now as I write to you, I have finished my four term papers and am beginning my week of tests with little worry. My lack of worry is not because I am excited to sit down for hours with a pencil in hand, pouring my thoughts and revelations from these courses into a blue booklet. Instead, I am drifting between stress and freedom, agony and excitement. Now don’t get me wrong, part of me actually enjoys spending late nights in PGill and the Ronj, inhaling caffeine until I place the last period on the page; but sleep is nice too.

From Naima: So last weekend the campus was flooded with parents and younger siblings checking out the ÀÖ²¥´«Ã½ scene. My parents couldn’t make the trip from Chicago this year, so Parents Weekend meant a few other things for me.

1) Big Tips. Working at the , is always dope, but the tips are generally sparse. When parents are in town, they tip well. Maybe it’s because they’re used to tipping in the real world, where one might discard their change into a tip cup. Or maybe it’s that the Ronj employees are wearing dirty clothes or no shoes and these lovely parents are trying to help us out during this economic crisis. Whatever the reason, the same tip cup that is usually home to spare dimes and nickels was overflowing with dollar bills.

2) A Cappella. Every Friday night of Parent’s Weekend, all of the a cappella groups on campus put on a massive show at Lewiston’s middle school. It’s literally steps from campus and holds over 500 people. This year, the , the group I am in performed songs from Gnarles Barkley, Jackson 5, and Sufjan Stevens. Other groups performed songs from acts like Flight of the Concords and Ray Charles. Here’s a picture of my group on stage. *excuse the fuzziness*

3) Harvest Fest. This doesn’t always coincide with Parent’s Weekend, but it did this year. It’s basically a “hippie fest� of sorts. Think girls with hair dressed in flowers, flowing dresses, lots of food, hemp sweatshirts on sale, devil sticks, tie-dye, and a vast musical green and grassy knoll. Not so bad if the parents stayed home.

4) Free Meals. This is a perk of having your own parents come up as well, but generally, us “orphans� (as we are so affectionately called) end up tagging along to a meal. It’s also just a great opportunity to get to know some of your good friends’ parents. Sometimes it’s hard to really understand someone you’ve spent nearly every day with unless you have a good idea of where they’re coming from.

5) Sporting Events. Almost every sports team in season has a home game on Parent’s Weekend. So if you want to show off the athletic program to your parents, then you can head over to the turf, football field, soccer field, or rugby field and something is bound to be going on. This year, a bunch of my parent-less friends and I watched our field hockey team beat Conn College. It was fun, and it was a good opportunity to see a few good friends of ours play some hockey. Also, it was gorgeous out so it just nice to sit out in the Maine sun.

6) Catching Up On Work. I won’t tell whether I actually did this or not, but I definitely thought about it. Since my mid-terms are kind of spread between last week and the week after break, I thought I could dedicate some mind power to preparing for tests, essays, and take-home exams. Especially since many of my friends were busy with their parents off in Portland or just down the street, I planned on getting loads of work done. That said, I was up until the wee hours finishing papers this week. Oh well. Parents weekend without parents? Success.

Peace and then some,

Naima

The play is intended for mature audiences due to violent language, adult themes and partial nudity.

A playwright known for dazzling wordplay and quirkiness, Ives made a sharp turn into drama with The Red Address. It’s the story of E.G. Triplett, a middle-class businessman who leads an outwardly respectable, all-American-male existence until a mysterious rival threatens not only to take over his business but to reveal his sexual secret. The play traverses transvestism and murder on its course to a disturbing conclusion .

“The Red Address . . . is a balancing act, and what holds its themes together is Ives’ keen sense of irony, his shrewd theatricality,” a critic for the New York Daily News wrote. “This play abounds in verbal felicities.”

“I discovered the script by accident, in the library at ÀÖ²¥´«Ã½. After reading it through once I was completely hooked,” says director Matteo Pangallo, a ÀÖ²¥´«Ã½ senior from Salem, Mass. “David Ives’ tale kicked me in the gut and broke my heart.”

He adds, “I knew right away that ÀÖ²¥´«Ã½ needed a play that was this strong and moving. Some will find its politics offensive, others will find its strong language and violent themes inappropriate, and others will object to partial nudity on a college stage. But for me, the point of theater is to be disturbing.”

The all-student cast includes Scott Partenheimer, a senior from Haddonfield, N.J., as Triplett; Jayme Hennessy, a sophomore from Loomis, Calif., as Lady Triplett; Larry Handerhan, a sophomore from Wellesley, Mass., as Triplett’s friend Dick Braverman; Ari Goldmann, a senior from Lexington, Mass., as Joe Driver; Michelle Gomperts, a sophomore from Pepperell, Mass., as Ann; Kristin McCarthy, a senior from Cranston, R.I., in the dual roles of the Prostitute and the Waitress: and Brad Oriel, a first-year student from Newton, Mass., in the dual roles of the Soldier and the Maitre d’.

Founded more than 80 years ago, the Robinson Players are the oldest theater company in Lewiston-Auburn and one of the first student theater groups in the nation.

For more information, call the ÀÖ²¥´«Ã½ College Concierge at 207-786-6255

Numbering about 470, the entering class of 2001 features students from 35 states and 14 countries. Scholastically, 36 percent of the class ranked within the top five percent of their high school graduating class, the highest percentage since institutional data became available in 1981. Fifty-six percent of the first-year students are from New England, consistent with recent years, while applications from Maine students showed a 10-percent increase. Multicultural students make up nine percent of the class and more than half of the Class of ’01 is receiving some form of financial aid.

Owned by the college since 1939, 32 Frye St. is being converted into a student-operated coffeehouse for members of the ÀÖ²¥´«Ã½ community and their guests. The 4,000 square foot building is the site where local construction workers recently discovered civil war-era correspondence between ÀÖ²¥´«Ã½ professor Uriah Balkam and his wife, Annie. Upon completion this fall, the capacity of the two-story house will be in excess of 250 people. The coffeehouse will provide additional social options to students in a non alcoholic setting.

Renovation work is being done by Ouellet Construction of Brunswick in conjunction with ÀÖ²¥´«Ã½ College Facility Services crews. Until the recent renovations, the ÀÖ²¥´«Ã½-owned house was used as a dual-family dwelling. The house will be wheelchair-accessible on the first level, where some of the walls have been removed to create an open, airy ambiance. A room for smoking patrons will also be available.

The student-run operation will feature student programming and a menu offering a variety of coffees and pastries. “We’re really excited about the possibilities for this informal space within our community and look forward to an additional, relaxed setting where students, faculty and staff can gather,” said Peter Taylor, assistant dean of students at ÀÖ²¥´«Ã½.

The coffeehouse is expected to open sometime at the start of the 1997-98 academic year. Second-floor renovations are incomplete, but at some later date, upstairs meeting rooms will be used by student groups and organizations. The house has been connected on both floors to the garage, formerly a barn, which will be used as a performance area on the first floor, and a gallery upstairs.

Renovations at the Den in Chase Hall include new music equipment and a big screen TV in addition to enhanced food production including a conveyor oven for hot sandwiches, nachos, buffalo wings and small pizzas as well as the establishment of a pub with limited hours when beer will be served to those 21 and over. Proper identification will be required at the door, where bracelets will be distributed differentiating between those 21 years of age and older and minors. Wait staff will take orders at the tables, checking bracelet identifications and ensuring that minors are not served.

Pub clientele will be limited to members of the ÀÖ²¥´«Ã½ community and their guests. Initially, the pub will operate on Fridays and Saturdays between 10 p.m. and 2 a.m. with beer service ending at 1 a.m. Managed by dining services at ÀÖ²¥´«Ã½, “the pub’s operation will be in strict compliance with Maine liquor laws,” Taylor said. The Den will continue to operate as a snack bar during the day, serving breakfast and lunch.

More than 50 local businesses have been invited to participate in the annual Merchants Fair Sept. 4 in the Clifton Daggett Gray Athletic Building for a day-long display of merchandise and services available to ÀÖ²¥´«Ã½ students.