Margaret Williams – News /news Fri, 03 Nov 2017 18:31:54 +0000 en-US hourly 1 https://wordpress.org/?v=7.0.3 /wp-content/themes/b/bates-framework/styles/images/bates-favicon.png Margaret Williams – News /news 32 32 Lectures explore Russian wilderness, Sichuan art, social impacts of science /news/2003/02/14/four-lectures/ /news/2003/02/14/four-lectures/#respond Fri, 14 Feb 2003 19:32:43 +0000 http://home.bates.edu/?p=14796 blank image

Four lectures  in the coming weeks offer provocative, enlightening views on topics ranging from Chinese art to a feminist view of science and values. All four lectures are open to the public at no charge.

David Serlin, assistant professor of history at Bard High School Early College, presents Reconstructing the ‘Hiroshima Maidens’: Cosmetic Surgery and Cultural Imperialism at 4:10 p.m. Tuesday, Feb. 25, at the Edmund S. Muskie Archives, 70 Campus Avenue.

An expert in the political, cultural and social ramifications of medicine, Serlin will recount the story of 25 young women, disfigured in the nuclear bombing of Hiroshima, who were brought to the United States for plastic surgery in an effort led by Saturday Review editor Norman Cousins. They spent 18 months in this country and underwent a total of 140 surgeries.

Seen as a healing mission by its organizers – “the Marshall Plan through plastic surgery,” as Serlin puts it – the effort appears today as a fascinating juncture of international politics, cultural differences, medical history and gender attitudes. The material is drawn from Serlin’s book Replaceable You: Engineering the American Body After World War II (The University of Chicago Press, 2004).

Serlin’s talk is part of Science, Power, and Difference, an interdisciplinary lecture series presenting innovative research into the social, cultural and political dimensions of the natural sciences.

Angela Howard, associate professor of Asian art history at Rutgers University, presents the lecture Bringing the Periphery Back to the Center: Sichuan’s Buddhist Cave Temples (ca. 600-1250) at 7 p.m. Thursday, Feb. 27, in Room 105, Olin Arts Center, 75 Russell St.

An expert in Chinese Buddhist art, Howard’s talk examines the considerable importance of Sichuan province to Chinese art and how it was nevertheless marginalized by art historians. She shows how, through sharp theologians and gifted sculptors, even the most challenging teachings of Zen Buddhism were effectively visualized for ordinary viewers.

Howard’s talk is the annual Lockwood Lecture, made possible by the Alison Lockwood Fund for Art History, given by Stephen and Frances Lockwood and their daughter, Alison Lockwood ’97.

, a forestry expert with the World Wildlife Fund and the Center for Russian Nature Conservation, discusses wilderness areas in the Russian conservation system at 7:30 p.m. Sunday, March 2, in Room G52 (Keck Classroom), Pettengill Hall, 4 Andrews Rd.

The environmental studies program at ÀÖ²¥´«Ã½ sponsors Williams’ lecture, which focuses on the Russian system of conservation areas called “zapovedniki,” wilderness areas completely set off from all but the most minimal human activity. Williams will offer historical background of these areas, which were first established in the early 20th century, will show some images of them and will talk some about contemporary challenges and threats to the system.

Helen Longino, a professor in the Program in Women’s Studies and the Department of Philosophy at the University of Minnesota, Twin Cities, offers Science and Values: A Feminist Perspective at 6:10 p.m. Monday, March 3, in the Muskie Archives, 70 Campus Ave.

Longino teaches graduate and undergraduate courses involving scientific thought and the philosophy of science, feminist philosophy and social epistemology. She is a member of the Minnesota Center for Philosophy of Science. Her current research examines biologically-based approaches to studying human behavior, as well as relationships between feminist analysis of Western science and the analysis of science reflecting non-Western perspectives.

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ÀÖ²¥´«Ã½ Dance Festival presents new dances, films by Sean Curran and Victoria Mark /news/1999/07/29/seancurran-victoriamark/ /news/1999/07/29/seancurran-victoriamark/#respond Thu, 29 Jul 1999 04:00:17 +0000 http://home.bates.edu/?p=22744 The ÀÖ²¥´«Ã½ Dance Festival presents two of America’s most eloquent contemporary dance artists who will share the stage for an evening of imaginative and emotionally rich choreography and film Aug. 12 at 8 p.m in Schaeffer Theatre on the ÀÖ²¥´«Ã½ College campus.

Tickets are $14/$8 (students and seniors) and may be purchased by calling 207-786-6161. A post-performance talk with the artists will take place immediately following the concert.

Choreographer and filmmaker Victoria Marks has been creating dance for stage and film and in communities from London to Los Angeles that “reveals the human being in the dancer and the dancer within the ordinary person,” according to The Village Voice. Marks portrays Lot’s wife in “My First Solo,” revealing her funny brand of feminism and exhibitionism.

The evening also will feature two short award-winning films directed by Margaret Williams and choreographed by Marks. “Outside In,” an exhilarating jaunt for the gifted dancers of the Britain’s multi-abled CandoCo Dance Company, proves that people in wheelchairs can be thoroughly unbound. “Mothers and Daughters” eloquently portrays the intimacies of families of women.

Seàn Curran, first made his mark on the international dance world as a principal dancer with the Bill T.Jones/Arnie Zane Company. A featured cast member of the Off-Broadway hit “STOMP,” Curran has won consistent praise for his own intelligent and engaging works. Since striking out on his own, Curran has created a gifted company whose recent run at New York’s Joyce Theater received rave reviews. For this performance Curran and members of his company present “That Place, Those People,” a quartet set to the piano music of Leos Janacek; Curran’s solo “Real Boy,” a collaboration with visual designer Douglas Rosenberg; “Enough is Too Much,” a trio set to a percussion score by Bosho; and “Hegel’s Vacation,” a surrealist’s version of “Singing in the Rain,” created for the exceptional dancer Heather Waldon.

In addition to its critically acclaimed mainstage performance series of concerts, the festival offers two intensive training programs, including one for adults and one for younger dancers. For more information, or to request a brochure, call the ÀÖ²¥´«Ã½ Dance Festival at 207-786-6381.

The ÀÖ²¥´«Ã½ Dance Festival receives support from the National Endowment for the Arts, the New England Foundation for the Arts, the Maine Arts Commission, the OnSite Performance Network, the Surdna Foundation, Stephen and Tabitha King Foundation, Sequoia Foundation, LEF Foundation, Tom’s of Maine, Bingham Betterment Fund, Shapiro Family Foundation, Harkness Foundations for Dance, Capezio Ballet Makers Dance Foundation, and numerous corporate sponsors in Maine.

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