Musician Corey Harris, who played a key role in Martin Scorsese’s 2003 PBS television series The Blues, performs at ÀÖ²¥´«Ã½ at 8 p.m. Friday, Feb. 29, in the Olin Arts Center Concert Hall, 75 Russell St.

The concert is sold out. For more information, please contact 207-786-6135 or this olinarts@bates.edu.

a member of the ÀÖ²¥´«Ã½ class of 1991 and recipient of an honorary Doctor of Music degree from ÀÖ²¥´«Ã½ in 2007, is at the college for a seven-day residency that includes work with classes and individual students. His visit as a ÀÖ²¥´«Ã½ learning associate is supported by The Andrew W. Mellon Foundation of New York City.

Harris is known for intrepid explorations of blues, jazz, reggae and other genres. Recipient of a 2007 MacArthur Foundation “genius grant,” he was described by the foundation as an artist who “forges an adventurous path marked by deliberate eclecticism. With one foot in tradition and the other in contemporary experimentation, he blends musical styles often considered separate and distinct to create something entirely new.”

“I’d like to call my music ‘diaspora rock,’ ” Harris told National Public Radio’s “Morning Edition.” “I’m looking at my people who are black around the world, seeing what unites us musically, and trying to express that as a black American.”

Harris has played top venues including the Royal Albert Hall in London, the Lincoln Center in New York and the Kennedy Center in Washington, D.C. He has performed in Africa, South America, the Caribbean, Europe, Japan and New Zealand.

In 2003, Harris was at the center of “Feel Like Going Home,” the debut episode of Scorsese’s PBS documentary series The Blues. For that episode he traveled to Mali to play with Ali Farka Touré, a journey he repeated for his album Mississippi to Mali (Rounder, 2003), in which he explored connections between African music and the blues.

Born in Colorado, Harris first tasted the blues from his mother’s collection of Lightnin’ Hopkins records. He began playing trumpet at age 5, and at 12 turned to guitar.

At ÀÖ²¥´«Ã½, Harris majored in anthropology and spent time in West Africa, completing a senior thesis on pidgin English in Cameroon. While at ÀÖ²¥´«Ã½, Harris won a prestigious postgraduate Watson Fellowship that supported another extended visit to Cameroon after graduation. His time in Africa has significantly influenced his work, and his blues-based adaptations of African music have won national regard.

“This is what we as black Americans gave to the world: the concept of blues,” Harris said in a 2002 interview for Rounder Records. “But at the same time, I’m of a different generation. I didn’t ever have to go to the back of a bus.”

“So I’m trying to represent what my tradition is, and then represent my individual self in the movement.”

His first album, Between Midnight and Day, was released by Alligator Records in 1995. His second, Fish Ain’t Bitin’ (Alligator, 1997) won the W.C. Handy Award for best acoustic blues album. Also on Alligator he released Greens From the Garden (1999) and, with Henry Butler, Vu-Du Menz (2000). On Rounder, Harris’s recordings include Downhome Sophisticate (2002).

For his 2007 debut on Telarc, he released the widely acclaimed Zion Crossroads, which the magazine Global Rhythm called “one of the most vibrant reggae albums to be released this year.”

“I wanted to make a record that was all roots-oriented,” Harris says. He adds, “It’s a spiritual record, but at the same time, it’s talking about the crossroads — not just the crossroads that we all understand in the blues context, but in all the meanings of that word.”

– Office of Communications and Media Relations

Jones, the recipient of a MacArthur “genius grant,” will discuss his experience with HIV and AIDS, the reasons he choreographed and performed “Still/Here” and the impact of AIDS on the world of art. His appearance at ÀÖ²¥´«Ã½ is part of a series of talks, observances and performances organized by the college under the umbrella of “Shared Rights, Shared Responsibilities — Understanding AIDS: Compassion, Education, Justice.”

Jones is the author of the recently published autobiography, Last Night On Earth (Pantheon, 1997). Prior to founding the Bill T. Jones/Arnie Zane Dance Company in 1982, Jones choreographed and performed internationally as a soloist and as part of a duet company with his late partner Arnie Zane. In addition to choreographing more than 40 works for his own company, he has been commissioned to create pieces for other companies, including the Alvin Ailey American Dance Theater, the Boston Ballet and the Lyon Opera where he was appointed resident choreographer in 1993.

Jones has also directed a number of operatic and theatrical works for the Guthrie Theater, the Houston Grand Opera, the Glynbourne Festival Opera, the Munich Biennale and the BBC. He has been the subject of several documentaries, including The Making of the ‘Last Supper At Uncle Tom’s Cabin’ and a forthcoming PBS production on the making of “Still/Here,” produced by Bill Moyers. Jones and media artist Gretchen Bender have directed a television version of “Still/Here” scheduled to appear in 1996.

Jones’ work often explores the issues of race, sexual orientation and interracial relationships. The poet Maya Angelou said of Jones’ 1995 autobiography: “It is a rare thing for a person to have the courage to live a strenuous and challenging life and be able to find beauty in it. It is more rare, and in this case more valuable, that Bill T. Jones has been able to do the above and dance about it. I celebrate this book, this artistry and this life.”