Hiroya Miura conducts the ÀÖ²¥´«Ã½ College Orchestra.

Conducted by Hiroya Miura of the ÀÖ²¥´«Ã½ faculty, the ÀÖ²¥´«Ã½ College Orchestra performs Brahms’ Symphony No. 3 and Debussy’s “Prélude à l’après-midi d’un faune” at 7:30 p.m. Saturday, March 10.

The concert will take place in the Olin Arts Center Concert Hall, 75 Russell St., and is open to the public at no cost. However, because of limited seating, tickets are required. For tickets and more information, please contact 207-786-6135 or olinarts@bates.edu.

“At first, Brahms and Debussy seem to be at aesthetic opposites,” says Miura. “Brahms is the height of the 19th-century German ‘absolute music’ — music that is about only itself, with no external references. And Debussy was self-consciously trying to redefine French music.

“These two pieces, however, were written only 10 years apart, and in spite of the difference in their harmonic language, I am struck by their similarly organic treatment of the rhythm. The composers were both masters of form and the organization of musical motifs.”

The 27 students in the orchestra (the other 18 players are musicians from the community) will find “both pieces challenging for various reasons: rhythm, orchestral balance, expression, etc.,” Miura adds. “However, I find both pieces are absolutely worth the effort for their sublime musical quality.”

A quartet including three members of the Colby College music faculty visits ÀÖ²¥´«Ã½ College to perform music from France’s famously creative “Belle Epoch” at 8 p.m. Saturday, Nov. 4, in the Olin Arts Center Concert Hall, 75 Russell St.

In a concert titled Belle Epoch: Chamber Music of the French Salon (1880-1925), mezzo-soprano Elizabeth Erskine Patches, pianist Cheryl Tschanz, cellist Adele Adkins and flutist Lee Humphreys play music by Ravel, Satie, Debussy and others. Sponsored by the ÀÖ²¥´«Ã½ music department, the event is open to the public at no cost. For more information, please call 207-786-6135.

The program offers a musical glimpse of France from the late 19th century through World War I, when Paris was the center of an artistic, technological and social ferment that percolated through the Western world. During this period, French composers found ways to synthesize a restrained, lyrical classical tradition with a welter of new influences including impressionism, jazz and world music.

Paris became home to a musical avant-garde that included such well-known composers as Fauré, Ravel, Debussy and Satie — four of the eight composers on the “Belle Epoch” program. (The others are Cécile Chaminade, Albert Roussel, André Caplet and Georges Hüe.)

Patches studied at the University of Michigan with the world-renowned French baritone and pedagogue, Pierre Bernac, a student of Maurice Ravel and someone for whom Francis Poulenc wrote many melodies. Patches continues Bernac’s artistic legacy in her teaching at Colby and on the concert stage.

Tschanz’s ability as a pianist was recognized early. At 7, Clavier magazine credited her with “startling qualities of great talent,” and at 11 she made her major orchestral debut as guest soloist with the Cleveland Symphony Orchestra. Since then, she has played in solo performances and with orchestras and chamber music groups throughout the United States, Canada, France, Italy and Finland. She is assistant adjunct professor of music at Colby.

Humphreys played principal flute with the Orquesta Filarmonica de Caracas, in Venezuela, and with the Hong Kong Philharmonic. She is now principal flutist of the Maine Chamber Ensemble and a member of the trio Musica Sorella. She has taught at ÀÖ²¥´«Ã½ and is currently the applied music associate in flute at Colby and principal flutist in the Colby Symphony Orchestra.

Adkins has a master degree from the Juilliard School, where she studied with the late Leonard Rose and Harvey Shapiro. Now associate director of the Maine Center for the Arts, in Orono, she performed for two summers with the Los Angeles Philharmonic.

Pianist and ÀÖ²¥´«Ã½ artist-in-residence Frank Glazer. (Phyllis Graber Jensen/ÀÖ²¥´«Ã½ College)

One of Maine’s best-known pianists, ÀÖ²¥´«Ã½ College artist-in-residence Frank Glazer performs in solo recital at 3 p.m. Sunday, Nov. 16, in the college’s Olin Arts Center Concert Hall, 75 Russell St. The concert is open to the public at no cost. For more information, please call 207-786-6135.

Glazer’s program includes Haydn’s Sonata in D major (Hob. XVI/37); Beethoven’s 15 Variations (with Fugue) in F-flat minor (Op. 35); Debussy’s “Reflets dans l’eau” and Ravel’s “Ondine”; and four works by Chopin, the Ballade in F minor (Op. 52), etudes in E-flat major (Op. 10, No. 11) and A-flat major (Op. 10, No. 10) and the Fantasy in F minor (Op. 49).

The 88-year-old Glazer is an artist of international stature. He taught at the Eastman School of Music for 15 years before retiring to Maine with his wife, Ruth, in 1980. The couple founded the Saco River Festival, held in Cornish every summer. A former student of pianist Artur Schnabel, Glazer is one of the few remaining proteges of that great musician.

Glazer’s long career includes numerous recordings, his own television program in the 1950s and countless solo recitals and performances with orchestras and chamber ensembles, including the New England Piano Quartette, of which he was a founder.

He also continues to perform in England where he has given recitals annually since 1992. He is currently on faculty at Phillips Academy in Andover, Mass., and a member of the Cecelia Trio. Cumming was born in Aroostook County and grew up in Wiscassett.

The program will include excerpts from Fantasie in D minor by Wolfgang Amadeus Mozart, Sonata in C major, Op. 1, by Johannes Brahms, and Sports et Divertissements by Erik Satie, as well as works by Debussy and Chopin.

For more information, call the Olin Arts Center at 207-786-6135.