“The Pilot House,” a 2014 digital montage by Jeffery Becton. Courtesy of the artist.

An exhibition of Maine photographer Jeffery Becton’s digital images, which merge seascape and interior views in dreamlike ways, and a show of posters from the worldwide Occupy movement open at the ÀÖ²¥´«Ã½ College Museum of Art with a reception at 6 p.m. Friday, Nov. 6, in the Olin Arts Center, 75 Russell St.

Becton will sign copies of the new book, The Farthest House (Marshall Wilkes), during the opening. The book features 68 reproductions of Becton’s images; an exploration of his work and career by noted Maine art historian Carl Little; and appreciations of the artist by novelist Deborah Weisgall, Wall Street Journal critic Peter Plagens and ÀÖ²¥´«Ã½ museum director Dan Mills, who curated the exhibition.

“Keep Calm,” a 2011 poster by Mark Miller, Los Angeles.

The museum’s winter exhibitions, titled The View Out His Window (and in his mind’s eye): Photographs by Jeffery Becton and The Art of Occupy: The Occuprint Portfolio, run through March 26. Showing at the museum through the same period is Maine Collected: Contemporary Selections From the Permanent Collection, an exhibition of images from the museum’s holdings by living artists with a Maine connection.

ÀÖ²¥´«Ã½ art museum events are always open to the public at no cost. The museum’s regular hours are 10 a.m. to 5 p.m. Monday through Saturday (until 7 p.m. Wednesdays while ÀÖ²¥´«Ã½ is in session). For more information, please contact 207-786-6158 or museum@bates.edu.

Read more about:

• The View Out His Window (and in his mind’s eye): Photographs by Jeffery Becton
• The Art of Occupy: The Occuprint Portfolio
• Maine Collected: Contemporary Selections From the Permanent Collection

Brunswick, Maine, author Jaed Coffin.

Jaed Coffin, a Brunswick author whose first book chronicles his experience as a Buddhist monk in his mother’s native village in Thailand, opens the Language Arts Live series at ÀÖ²¥´«Ã½ College with a reading at 6:30 p.m. Thursday, Sept. 19, in the Edmund S. Muskie Archives, 70 Campus Ave.

Admission is open to the public at no cost. For more information, please call 207-786-6256.

All Language Arts Live readings this autumn take place at 6:30 p.m. in the Muskie Archives. The series returns with award-winning poet Peter Gizzi on Monday, Oct. 14, and with Maine poets Lee Sharkey and Carl Little on Wednesday, Nov. 20.

The Language Arts Live series is sponsored by the English department and the John Tagliabue Fund at ÀÖ²¥´«Ã½.

Jaed Coffin

Coffin, Boston Globe critic James Sullivan wrote in 2008, “has been preparing for a writing career for years. Like his hero Ernest Hemingway, he has traveled the globe in search of experiences — sea kayaking from Seattle to Alaska, backpacking around Mexico, and, yes, spending several months at the bullfights in Spain.”

Coffin’s first book is A Chant to Soothe Wild Elephants (Da Capo/Perseus, 2008), which recounts his time in Thailand. Reviewed in the Los Angeles Times and in a cover story in the Globe, A Chant is now taught in the multicultural curriculum at colleges and universities including Brown, St. Michael’s, Middlebury, and University of Maine, Farmington.

Coffin was honored as a resident fellow at the Island Institute in Sitka, Alaska, where he researched his forthcoming novel, Roughhouse Friday — based on his career as the middleweight champion of an Alaskan barroom boxing circuit.

He holds a bachelor’s degree in philosophy from Middlebury College and a master’s in fiction from the University of Southern Maine’s Stonecoast program, where he is now a member of the faculty.

Peter Gizzi

Poet Peter Gizzi. (Photograph by E. Willis)

“If Gizzi is more adept at compelling the attention of readers than anyone else, if he’s more capable of drawing out the emotions of strangers than anyone else — and he is, on both counts — it’s because behind his poems . . . is such a generous intelligence and receptive spirit that one must conclude this author has lived several more lifetimes than the rest of us,” wrote Huffington Post reviewer Seth Abramson in 2012.

Gizzi’s numerous books published by Wesleyan include Threshold Songs (2011), The Outernationale (2007) and Some Values of Landscape and Weather (2003). In spring 2014, Wesleyan will publish Gravity & Fire: Selected Poems 1987-2011.

Gizzi has also published several limited-edition chapbooks, folios, and artist books. His work has been translated into numerous languages and anthologized here and abroad. From 2007 to 2011 he was poetry editor for The Nation.

He has been on the faculty at Brown University, the University of California, Santa Cruz, the Jack Kerouac School of Disembodied Poetics Summer Program at Naropa, the Writer’s Workshop at the University of Iowa and at Cambridge University. He currently works at the University of Massachusetts, Amherst.

Lee Sharkey | Carl Little

Maine poet Lee Sharkey.

“Sharkey’s deft and deliberate fusion of the global with the personal transforms mere confession into a searching examination of universal human rights and the suffering which is always present throughout the world,” Sonja James wrote in the Montserrat Review. “The poems lend a voice to the voiceless and bear witness to our collective need for an understanding of the unspeakable.”

In 1974, Sharkey bought a 100-year-old press, taught herself to set type and print, and produced over the course of a long Maine winter her first chapbook. Over the next four years, under the imprint South Solon Press, she produced two more chapbooks of her own poetry, portfolios of other poets’ work, and ephemera such as poems on paper lunch bags.

She has continued to work both on and off the grid as a writer, teacher and editor. She has published six chapbooks and four full-length volumes, including Calendars of Fire (Tupelo Press, 2013) and A Darker, Sweeter String. Since 2003 Sharkey has co-edited the Beloit Poetry Journal, one of the country’s oldest and most respected poetry journals.

Poet and art historian Carl Little. (Photograph by Meggie Booth)

“Carl Little looks at life from oblique angles,” poet Rosanna Warren wrote about his collection Ocean Drinker (Deerbrook Editions, 2006). “In these finely-honed poems he shows us glimpses of modest and surprising truth: A grandfather’s old slides of naked women, perused at night by the grandson; a father awkwardly tying his tall son’s tie before a funeral; the poet rolling the word ‘elvers’ around on his tongue.”

Little previously published 3,000 Dreams Explained (Nightshade Press, 1992). A former associate editor of Art in America, Little has written extensively about art, particularly New England artists. His prose publications include Nature and Culture: The Art of Joel Babb (University Press of New England, 2013), Eric Hopkins: Above and Beyond (Down East Books, 2011) and Edward Hopper’s New England (1993; Pomegranate Press revised edition, 2011) and Winslow Homer and the Sea (Pomegranate, 1995).

Little directed the Ethel H. Blum Gallery at the College of the Atlantic in Bar Harbor, Maine, for eight years. He is on staff at the Maine Community Foundation.

Little, winner of the 2000 Acadia Arts Achievement Award, has authored several books on art, such as Edward Hopper’s New England (Pomegranate Communications, 1993) and The Watercolors of John Singer Sargent (University of California Press, 1999)

Little also writes for regional and national publications including Art New England and Art in America. He contributed an essay to the catalog for the exhibition Bernard Langlais: Independent Spirit at the Portland Museum of Art in 2002.

At ÀÖ²¥´«Ã½, Little will focus on Langlais’ current exhibition in the context of his greater oeuvre. The exhibition Medium and Abstraction, curated by Erin Gilligan ’09, focuses on a selection of Langlais sculptures from the 1950s and ’60s that show a particular influence of the New York avant-garde. The inclusion of wooden assemblages by Louise Nevelson and portraits of Langlais imply a larger context of influence for his work, which Little will discuss.

Langlais, born in Old Town, Maine, in 1921, embarked on an art career at a young age. His early work is predominantly paintings and collages. In 1956, Langlais and his wife bought a summer cottage in Cushing, Maine. While completing renovations, Langlais began experimenting with wood, and developed his self-proclaimed “painting in wood” technique. He is most famous for whimsical animal sculptures and tableaus created with a fusion of painting and wood carving.

Also featured in the museum are the exhibitions Landscape Drawings from the Marsden Hartley Memorial Collection and Our Positive Bodies: Mapping Our Treatment, Sharing Our Choices. The Hartley exhibition showcases ink and graphite drawings by this famed artist born in Lewiston, Maine, who wished to have a memorial collection in his hometown.

Marsden is known as a pioneer of American modernist painting in the early 20th century. Our Positive Bodies originated in Nairobi, Kenya, and focuses on “body mapping,” a palliative process through which life-sized silhouette self-portraits of women affected by AIDS are used to divulge feelings and memories.

The Langlais and Hartley exhibitions close on Oct. 3, while Our Positive Bodies remains up until Dec. 11. The museum is open from 10 a.m. to 5 p.m. Tuesday through Saturday and closed on major holidays. Admission is free.

For more information, please call 207-786-6158 or visit the museum Web site at www.bates.edu/museum.xml.