Sponsored by the Garcelon Society, the Bingham Betterment Fund and the Harward Center for Community Partnerships at ÀÖ²¥´«Ã½, these family concerts are open to the public at no cost. Listeners are encouraged to bring a picnic and lawn chairs or blankets.

An alternative site will be announced in case of rain. For more information, please call 207-786-6400.

This local ensemble offers a mash-up of blues, bluegrass and jazz. Blues harmonica player and vocalist Mark Peterson, bluegrass fiddler and banjoist Mike Conant and upright jazz bassist Tim Clough mix all these influences together to produce a distinctive sound, rounded out by guitarist and singer-songwriter Andrew Bohrmann and singer Jane Cooper Pasquarello.

The ensemble Irish Hill, which shares members with the Peterson Project, was originally scheduled to play this concert.

Hammered-dulcimer player Harry Vayo continues the ÀÖ²¥´«Ã½ College Midsummer Lakeside Concert Series at 6 p.m. Thursday, Aug. 5, in the Florence Keigwin Amphitheater at the college’s Lake Andrews.

Midsummer Lakeside concerts take place on Thursdays in July and August. The series concludes on Aug. 12 with the Celtic-bluegrass fusion band Irish Hill.

Sponsored by the Garcelon Society, the Bingham Betterment Fund and the Harward Center for Community Partnerships at ÀÖ²¥´«Ã½, these family concerts are open to the public at no cost. Listeners are encouraged to bring a picnic and lawn chairs or blankets.

An alternative site will be announced in case of rain. For more information, please call 207-786-6400.

A master of the hammered dulcimer and a self-described healing musician, Vayo performs his own compositions, Celtic and Asian tunes, Beatles songs, Cajun sounds and an occasional classical piece. He has made two recordings and has appeared at the Common Ground Fair and New Year’s by the Bay in Belfast, among many other Maine venues.

A local quartet, Irish Hill offers a heartfelt blend of Celtic, bluegrass and old-time fiddle music. The players are guitarist Scott Williams, mandolinist Roberta Hill, fiddler-banjoist Michael Conant and bassist Tim Clough. Rich harmonies by Hill and Conant round out Irish Hill’s distinctive sound.

The eclectic folk-rock group the Zulu Leprechauns continues the annual ÀÖ²¥´«Ã½ College Midsummer Lakeside Concert Series on Thursday, July 29, in the Florence Keigwin Amphitheater at the college’s Lake Andrews.

Midsummer Lakeside concerts start at 6 p.m. on six consecutive Thursdays in July and August. The series will continue with hammered-dulcimer player Harry Vayo and the Celtic-bluegrass fusion band Irish Hill.

Sponsored by the Garcelon Society, the Bingham Betterment Fund and the Harward Center for Community Partnerships at ÀÖ²¥´«Ã½, these family concerts are open to the public at no cost. Listeners are encouraged to bring a picnic and lawn chairs or blankets.

An alternative site will be announced in case of rain. For more information, please call 207-786-6400.

Here’s the remaining summer schedule:

July 29, The Zulu Leprechauns: These eclectic, improvisational folk-rockers play a mix of original and familiar music, incorporating styles from West Africa, rock ‘n’ roll, bluegrass and folk. In addition to their own songs, they cover such artists as Neil Young, Bob Dylan, the Grateful Dead, Lou Reed and Robert Johnson, among others. They have made three recordings: the eponymous “Zulu Leprechauns,” “Mixed Messages” and their latest, “L.A. To Zaire.”

Founded in 1993, the ensemble comprises bassist John Shaw, banjoist and electric dulcimer player John Schwellenbach, percussionist and violinist Annegret Baier and percussionist Jeff Howe. Their instrumental arsenal includes djembe, six-string bass, guitar, dumbek, conga, shakers and cymbals. They have played the Maine Festival, Congress Square Festival and New Year’s Portland, along with such venues as Portland’s Oak Street Theater, the Waldo Theater and the Camden Opera House.

Aug. 5, Harry Vayo: A master of the hammered dulcimer and a self-described healing musician, Vayo performs his own compositions, Celtic and Asian tunes, Beatles songs, Cajun sounds and an occasional classical piece. He has made two recordings and has appeared at the Common Ground Fair and New Year’s by the Bay in Belfast, among many other Maine venues.

Aug. 12, Irish Hill: This local quartet offers a heartfelt blend of Celtic, bluegrass and old-time fiddle music. The players are guitarist Scott Williams, mandolinist Roberta Hill, fiddler-banjoist Michael Conant and bassist Tim Clough. Rich harmonies by Hill and Conant round out Irish Hill’s distinctive sound.

The Highland String Trio, a Maine folk band, continues the annual ÀÖ²¥´«Ã½ College Midsummer Lakeside Concert Series on Thursday, July 22, in the Florence Keigwin Amphitheater at the college’s Lake Andrews.

Midsummer Lakeside concerts start at 6 p.m. on Thursdays in July and August. Also on the schedule are the eclectic folk-rock group the Zulu Leprechauns, hammered-dulcimer player Harry Vayo and the Celtic-bluegrass fusion band Irish Hill.

Sponsored by the Garcelon Society, the Bingham Betterment Fund and the Harward Center for Community Partnerships at ÀÖ²¥´«Ã½, these family concerts are open to the public at no cost. Listeners are encouraged to bring a picnic and lawn chairs or blankets.

An alternative site will be announced in case of rain. For more information, please call 207-786-6400.

Here’s the schedule for the remainder of the series:

July 22, Highland String Trio: Lauren Scott, Chris Bannon and Walt Bannon are known for their energetic blend of Celtic, bluegrass and Americana. Scott is a fiddler who also performs with the band Fiddle-icious. Chris Bannon plays guitar and mandolin, and Walt Bannon provides vocals, flute and guitar.

July 29, The Zulu Leprechauns: These eclectic, improvisational folk-rockers play a mix of original and familiar music, incorporating styles from West Africa, rock ‘n’ roll, bluegrass and folk. In addition to their own songs, they cover such artists as Neil Young, Bob Dylan, the Grateful Dead, Lou Reed and Robert Johnson, among others. They have made three recordings: the eponymous Zulu Leprechauns, Mixed Messages and their latest, L.A. To Zaire.

Founded in 1993, the ensemble comprises bassist John Shaw, banjoist and electric dulcimer player John Schwellenbach, percussionist and violinist Annegret Baier and percussionist Jeff Howe. Their instrumental arsenal includes djembe, six-string bass, guitar, dumbek, conga, shakers and cymbals. They have played the Maine Festival, Congress Square Festival and New Year’s Portland, along with such venues as Portland’s Oak Street Theater, the Waldo Theater and the Camden Opera House.

Aug. 5, Harry Vayo: A master of the hammered dulcimer and a self-described healing musician, Vayo performs his own compositions, Celtic and Asian tunes, Beatles songs, Cajun sounds and an occasional classical piece. He has made two recordings and has appeared at the Common Ground Fair and New Year’s by the Bay in Belfast, among many other Maine venues.

Aug. 12, Irish Hill: This local quartet offers a heartfelt blend of Celtic, bluegrass and old-time fiddle music. The players are guitarist Scott Williams, mandolinist Roberta Hill, fiddler-banjoist Michael Conant and bassist Tim Clough. Rich harmonies by Hill and Conant round out Irish Hill’s distinctive sound.

Maine singer-songwriter Anni Clark continues the annual ÀÖ²¥´«Ã½ College Midsummer Lakeside Concert Series at 6 p.m. Thursday, July 15, in the Florence Keigwin Amphitheater at the college’s Lake Andrews.

Midsummer Lakeside concerts take place on six consecutive Thursdays in July and August. The series will continue with the folk band Highland String Trio, eclectic folk-rock group the Zulu Leprechauns, hammered-dulcimer player Harry Vayo and the Celtic-bluegrass fusion band Irish Hill.

Sponsored by the Garcelon Society, the Bingham Betterment Fund and the Harward Center for Community Partnerships at ÀÖ²¥´«Ã½, these family concerts are open to the public at no cost. Listeners are encouraged to bring a picnic and lawn chairs or blankets.

An alternative site will be announced in case of rain. For more information, please call 207-786-6400.

Here’s the complete schedule:

July 15, Anni Clark: Nominated for “Female Vocalist of the Year” at the 2006 Texas Music Awards, this veteran Maine singer-songwriter has released seven albums and appeared with the likes of Shawn Colvin, Richie Havens and Patty Larkin. Audiences love her humor and expressive power.

Clark’s music has been described as “folk, pop and blues with a dash of Maine humor.” Twice a finalist in the well-known songwriters’ competition at the Kerrville Folk Festival, Clark was invited to be a judge for the event in 2001. In 2003, she won both “Female Artist of the Year” and “Folk Artist of the Year” in Jam Music Magazine’s Readers’ Pix Awards. Clark also works as an education tech in special education in Saco, Maine.

July 22, Highland String Trio: Lauren Scott, Chris Bannon and Walt Bannon are known for their energetic blend of Celtic, bluegrass and Americana. Scott is a fiddler who also performs with the band Fiddle-icious. Chris Bannon plays guitar and mandolin, and Walt Bannon provides vocals, flute and guitar.

July 29, The Zulu Leprechauns: These eclectic, improvisational folk-rockers play a mix of original and familiar music, incorporating styles from West Africa, rock ‘n’ roll, bluegrass and folk. In addition to their own songs, they cover such artists as Neil Young, Bob Dylan, the Grateful Dead, Lou Reed and Robert Johnson, among others. They have made three recordings: the eponymous “Zulu Leprechauns,” “Mixed Messages” and their latest, “L.A. To Zaire.”

Founded in 1993, the ensemble comprises bassist John Shaw, banjoist and electric dulcimer player John Schwellenbach, percussionist and violinist Annegret Baier and percussionist Jeff Howe. Their instrumental arsenal includes djembe, six-string bass, guitar, dumbek, conga, shakers and cymbals. They have played the Maine Festival, Congress Square Festival and New Year’s Portland, along with such venues as Portland’s Oak Street Theater, the Waldo Theater and the Camden Opera House.

Aug. 5, Harry Vayo: A master of the hammered dulcimer and a self-described healing musician, Vayo performs his own compositions, Celtic and Asian tunes, Beatles songs, Cajun sounds and an occasional classical piece. He has made two recordings and has appeared at the Common Ground Fair and New Year’s by the Bay in Belfast, among many other Maine venues.

Aug. 12, Irish Hill: This local quartet offers a heartfelt blend of Celtic, bluegrass and old-time fiddle music. The players are guitarist Scott Williams, mandolinist Roberta Hill, fiddler-banjoist Michael Conant and bassist Tim Clough. Rich harmonies by Hill and Conant round out Irish Hill’s distinctive sound.

The Caribbean-inspired, Massachusetts-based Pan Loco Steel Band opens the annual ÀÖ²¥´«Ã½ College Midsummer Lakeside Concert Series on Thursday, July 8, in the Florence Keigwin Amphitheater at the college’s Lake Andrews.

Midsummer Lakeside concerts start at 6 p.m. on six consecutive Thursdays in July and August. The series will continue with Maine singer-songwriter Anni Clark, the folk band Highland String Trio, eclectic folk-rock group the Zulu Leprechauns, hammered-dulcimer player Harry Vayo and the Celtic-bluegrass fusion band Irish Hill.

Sponsored by the Garcelon Society, the Bingham Betterment Fund and the Harward Center for Community Partnerships at ÀÖ²¥´«Ã½, these family concerts are open to the public at no cost. Listeners are encouraged to bring a picnic and lawn chairs or blankets.

An alternative site will be announced in case of rain. For more information, please call 207-786-6400.

Here’s the complete schedule:

July 8, Pan Loco Steel Band: Former students at Berklee College of Music and the University of New Hampshire, the Pan Loco Steel Band came together in 1991. Consisting of two steel drummers, an electric bass player and a percussionist, the group concentrates on authentic Caribbean music.

Steel pan players Bob Lucas, a Bay State native, and Justin Petty, who grew up in the U.S. Virgin Islands, founded the quartet in Boston, and they arrange the band’s music. Bassist Gerry Rollock hails from Trinidad, and teaches and plays in the Boston area. Percussionist Sean Skeete has performed with ensembles as diverse as the Boston Symphony Orchestra, Alvin Ailey Dance Theater and Blue Man Group.

July 15, Anni Clark: Nominated for “Female Vocalist of the Year” at the 2006 Texas Music Awards, this veteran Maine singer-songwriter has released seven albums and appeared with the likes of Shawn Colvin, Richie Havens and Patty Larkin. Audiences love her humor and expressive power.

Clark’s music has been described as “folk, pop and blues with a dash of Maine humor.” Twice a finalist in the well-known songwriters’ competition at the Kerrville Folk Festival, Clark was invited to be a judge for the event in 2001. In 2003, she won both “Female Artist of the Year” and “Folk Artist of the Year” in Jam Music Magazine’s Readers’ Pix Awards. Clark also works as an education tech in special education in Saco, Maine.

July 22, Highland String Trio: Lauren Scott, Chris Bannon and Walt Bannon are known for their energetic blend of Celtic, bluegrass and Americana. Scott is a fiddler who also performs with the band Fiddle-icious. Chris Bannon plays guitar and mandolin, and Walt Bannon provides vocals, flute and guitar.

July 29, The Zulu Leprechauns: These eclectic, improvisational folk-rockers play a mix of original and familiar music, incorporating styles from West Africa, rock ‘n’ roll, bluegrass and folk. In addition to their own songs, they cover such artists as Neil Young, Bob Dylan, the Grateful Dead, Lou Reed and Robert Johnson, among others. They have made three recordings: the eponymous “Zulu Leprechauns,” “Mixed Messages” and their latest, “L.A. To Zaire.”

Founded in 1993, the ensemble comprises bassist John Shaw, banjoist and electric dulcimer player John Schwellenbach, percussionist and violinist Annegret Baier and percussionist Jeff Howe. Their instrumental arsenal includes djembe, six-string bass, guitar, dumbek, conga, shakers and cymbals. They have played the Maine Festival, Congress Square Festival and New Year’s Portland, along with such venues as Portland’s Oak Street Theater, the Waldo Theater and the Camden Opera House.

Aug. 5, Harry Vayo: A master of the hammered dulcimer and a self-described healing musician, Vayo performs his own compositions, Celtic and Asian tunes, Beatles songs, Cajun sounds and an occasional classical piece. He has made two recordings and has appeared at the Common Ground Fair and New Year’s by the Bay in Belfast, among many other Maine venues.

Aug. 12, Irish Hill: This local quartet offers a heartfelt blend of Celtic, bluegrass and old-time fiddle music. The players are guitarist Scott Williams, mandolinist Roberta Hill, fiddler-banjoist Michael Conant and bassist Tim Clough. Rich harmonies by Hill and Conant round out Irish Hill’s distinctive sound.

The Lewiston-Auburn jazz band Three Point Trio opens the 2009 ÀÖ²¥´«Ã½ College Midsummer Lakeside Concert Series at 6 p.m. Thursday, July 9, in the Florence Keigwin Amphitheater at the college’s Lake Andrews.

The 2009 series also presents Maine singer-songwriter Carolyn Currie, Maine-based folk trio Ti’ Acadie, the collaboration of ÀÖ²¥´«Ã½ Dance Festival musicians known as the One World Music Ensemble and ¸éé±¹±ð¾±±ô±ô´Ç²Ô²õ!, a band known for its modern take on traditional Québécois music.

Lakeside concerts start at 6 p.m. on five consecutive Thursdays in July and August. Sponsored by the Harward Center for Community Partnerships at ÀÖ²¥´«Ã½ and the Bingham Betterment Fund, the concerts are open to the public at no cost. Picnics are encouraged, as is bringing lawn chairs or blankets.

The rain site is the Olin Arts Center Concert Hall, 75 Russell St., adjacent to the amphitheater. For more information, please call 207-786-6400.

Here’s the complete schedule:

July 9, : The Three Point Trio has shared its passion for jazz with the Lewiston-Auburn area since late 2007. Guitarist and ÀÖ²¥´«Ã½ physics professor John Smedley, bassist Tim Clough and drummer Tom Schipper play a combination of jazz standards and original compositions.

The trio cites “Miles, Monk and Mingus” — Davis, Thelonious and Charles — among their greatest influences, along with such artists as Elvin Jones, John Coltrane and Charlie Haden. Three Point Trio’s performances are based around the love of sharing jazz. Learn more.

July 16, : Carolyn Currie has charmed audiences across the U.S., including at ÀÖ²¥´«Ã½, with her layered blend of folk, ballads and Celtic music. A true singer-songwriter with a talent for lyrics, Currie has written prolifically since recording her first CD, No Heroes, in 1995. She has played such gatherings as the Telluride Bluegrass festival, Napa Valley Folk Festival and the BMI Showcase for songwriters.

According to one reviewer, if you watch Currie “you’ll swear, by the end of the night that at least one of her poetic melodies was written specifically about you.” Currie supports her lyrics with music that has been described as “luminous, haunting and spellbinding.”

Currie’s CD Kiss of Ghosts was named one of the top independent releases by Performing Songwriter magazine. Her latest, Waves of Silence, featured as CD of the week on the BBC’s Scottish Gaelic channel. Learn more.

July 23, : Ti’ Acadie, or “little Acadia” in French, is a folk trio whose name refers to the Francophone culture of Nova Scotia and New Brunswick, a culture reflected in the Cajun people of Louisiana. Ti’ Acadie features Pam Weeks on fiddle, mountain dulcimer and vocals, Jim Joseph on button accordion and five-string banjo, and Bill Olson, a singer, guitarist and bassist also known as a contradance caller.

The three have made music together since they met in the Maine contradance band Scrod Pudding in 1990. In 1996, united by a love of high-energy, highly percussive Cajun music, they formed Ti’ Acadie. Since then, they have toured together, offering not only Cajun music but old-time songs with tight harmonies, Québécois dance tunes and NewEngland contradance music.

Ti’ Acadie is fascinated by the link between the Cajun and Acadian peoples, and uses music to explore this connection. This blending of styles makes for an interactive, engaging and undeniably unique concert experience. Learn more.

July 30, One World Music Ensemble: One World Music Ensemble comprises musicians from the . This nationally recognized dance festival brings together an extremely diverse and talented group of musicians.

This program promises to be a tapestry of rhythms and melodies from all corners of the globe. The ensemble plays a vast array of world instruments, including accordion, kalimba, bouzouki, marimbas and percussion, making for an incredible collaboration of cultures.

Aug. 6,: Aligning themselves with “the current universal . . . longing to ‘return to our roots,’ ” ¸éé±¹±ð¾±±ô±ô´Ç²Ô²õ! is influenced by the Québécois tradition. The group hails from Montreal and features David Berthiaume on vocals, jaw harp and concertina, Marc Maziade on guitar, tenor banjo and vocals, Richard Forest on fiddle and Jean-Francois Berthiaume as the band’s caller.

¸éé±¹±ð¾±±ô±ô´Ç²Ô²õ! is French for “Wake up!” Since forming in 1996, ¸éé±¹±ð¾±±ô±ô´Ç²Ô²õ! has played reels, jigs, French songs and step dances at major festivals in Quebec and cities around the U.S. and Canada. Learn more.